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This completely revised edition of the Penguin Guide reviews the major classical recordings issued and reissued over the past five decades, many of which dominate the catalogue because of their sheer excellence, irrespective of recording dates. More comprehensive than ever before and now updated annually, it indicates key recordings on CD, DVD and enhanced SACD, including those in surround sound. If you want the finest available version of any major classical work (including DVDs of opera and ballet) you will find it listed and assessed in these pages. Ranging from long-established recordings to the newest releases, the latest edition represents the cream of the international repertoire and has all the information you need to select the finest classical music available.

• Sales Rank: #193681 in Books
• Published on: 2008-11-25
• Released on: 2008-11-25
• Original language: English
• Number of items: 1
• Dimensions: 9.16" h x 2.46" w x 6.94" l,
• Binding: Paperback
• 1602 pages

Review
Indispensable, illuminating and comprehensive The Times An indispensable and comprehensive survey. Anyone who wants to make sense of all the rival versions of classical music available on CD will find a great deal of illumination The Times More valuable than ever to any serious collector of classical music Wall Street Journal The bible for the discriminating record collector Daily Telegraph

About the Author
Ivan March is a well-known lecturer, journalist and writer in the world of recorded music. He lives in London, SW6. Edward Greenfield was for forty years on the staff of the Guardian and is a regular BBC broadcaster. He lives in London, E1. Robert Layton is a journalist and broadcaster. He lives in London, NW6. Paul Czajkowski is a music writer. He lives in London.

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150 of 154 people found the following review helpful.
3.5 stars -- continued slippage but good news for DVD fans
By Larry VanDeSande
I've owned the Penguin Guide continuously since 1984 and the 2008 version is about the tenth edition I've purchased. I've seen this guide go from having no competition to having some competition to being a model to be copied by the likes of the All Music Guide, Rough Guide to Classical Music, Third Ear Classical Music and the annual compendium of reviews Gramophone magazine puts together and markets under the moniker Gramophone Classical Music Guide 2008 (AKA Classical Good CD, DVD, & Download Guide)

In all this time, no other guide has continuously challenged the Penguin Guide's leadership in relating what's new and different in the universe of recorded classical music. Third Ear came closest but published only one edition in 2000. Today, the Penguin Guide is still the best at what it does but, based on my review of the 2008 edition, it is changing its ways and is slipping a bit behind the classical music industry.

I say it is slipping because the 2008 edition is hardly representative of the greatest recordings that have been issued since the last edition was published in 2005. Two significant historical events occurred in 2006 -- the Shostakovich centenary and the 250th anniversary of Mozart's birth. Both birthdays generated scores of new recordings, probably more for Shostakovich than in any single year ever before. They covered one of these celebrations pretty well in their pages but didn't do so well in the other.

The new Penguin Guide did best representing the reams of new Shostakovich recordings that came out that year. The 2008 tome includes discussion on the super audio cycle of symphonies from Kitaenko on Capriccio, the excellent DVD "Shostakovich vs. Stalin: The War Symphonies", and lists as its No. 1 version of the "Leningrad" symphony the super audio version by Hofman and the Beethoven Orchestra of Bonn on MGD. This even though it did not include a single listing of the series of Shostakovich symphonies being delivered by Caetani and the Verdi Orchestra of Milan.

They didn't cover the ground on Mozart's birthday so well, however. I looked for listings of my two favorite Mozart CDs released in 2006 -- Paul McCreesh's dynamic and dramatic reading of the Great C Minor Mass on Archiv and Peter Neumann's SACD recording of the Missa Solemnis and Vesperae Solennes on MGD -- and neither were included. The Penguin Guide listed two of Neumann's older Mozart choral recordings but missed the newer super audio job that was hailed by critics worldwide. I was astonished to find only three listings of CDs of the C Minor Mass and an addiitional one on CD. Surely this masterwork deserves greater representation than the inadequate listing of performances by Karajan, Gardiner and Herreweghe!

In fact, the more I looked, the more I found great recordings issued between guides not represented. To offer a short list, here are a few:

-- No new collections of either Bach's 6 Partitas for keybard or complete recordings of Beethoven's 32 Piano Sonatas even though Seattle professor Craig Sheppard recorded both to much critical accalim during the period.

-- No listing of Jos von Immerseel's recording of Ravel's Bolero, Concerto for the Left Hand, Rhapsodie Espanol, Pavane pour unde infante defunte and La Valse that BBC Music Magazine designated its album of the year for 2006.

-- No listing of the Abbado-Berlin Philharmonic reading of the Mahler Symphony No. 6 that Gramophone called its recording of the year for 2006.

-- No listing of the Rattle-Berlin Philharmonic recording of Gustav Holst's "The Planets" and four other insterstellar pieces of music that raised some eyebrows. It wasn't the greatest recording of the music but the Penguin Guide otherwise seems to find room to include every other recording from Englishman Simon Rattle.

The fact that the Penguin Guide is now more a collection of old favorites than ever before is most aptly demonstrated in the Mahler section. In the 11 pages covering his 10 symphonies, I counted only 6 new recordings from the past edition and not one of them is really new -- they are all older recordings either seeing first light (Solit-Chicago Symphony 1 on Decca and Bernstein-Vienna Philharmonic 5 on DG) or re-recordings of older recordings (Hatink-Concertgebouw 8 on a PentaTone SACD issue). With a half-dozen Mahler cycles in progress the past few years, this seems short shrift indeed as a recommendable section.

Meanwhile, most of a decade removed from the Bach birthday in 2000, the 2008 Penguin Guide is still carrying every listing of the complete Bach cantata recordings by Harnoncourt-Leonhardt, Koopman, Suzuki and Gardiner -- twice! -- with notations for the Gardiner recordings on both Archiv and the Soli Deo Gloria series. To complete my list of what I perceive as debits in the new edition, the text is more difficult to read. The text size appears to be about the same (small) but italicized headers in much larger type (and a different text face) and boxes around what the book calls its "key" recordings more distracted than assisted me.

Some changes for 2008: The editors seem to have changed their concept a bit this time, too, by not listing every recording they talk about in text. In other words, their ongoing discussion may include recordings not listed in the headings, so keep reading to see if your favorite is there. The editors made another change -- the Penguin Guide now uses a 4-star rating system. It had always been a 3-star system until this edition. They do not address this in the text so I can't say why this happened.

I have concentrated on demerits but there are improvements in the new edition. The Penguin Guide caught a few recordings I thought might slip under its radar including a wonderful 2006 recording of Offenbach's Concerto Militaire by Pernoo and Minkowski. In addition to representative coverage of the Shostakovich year the new Penguin Guide has made a concerted effort to cover a much wider range of DVD this time, especially those for opera and sacred music. The Beethoven symphony section has nearly as many DVD as CD listings. They tend to list these in this way, always scrupulously listing the DVD director:

Wagner: Tristan und Isolde (complete; DVD version)
Wagner: Tristan und Isolde (complete: CD version)

It still has over 1,500 pages and lists most composers famous and not so famous. I think the bottom line is people that don't subscribe to critical review magazines or do not closely follow Internet review mechanisms, and look for one guide to cover the entire industry, will probably benefit by acquiring this book. Yet, perhaps the greatest demerit of this guide is that, if you don't record on a major label or on Naxos, you don't have much chance of being included in this book. For those of us that follow the industry closely, the new Penguin Guide demonstrates, more than ever before, its inability to keep up with what's going on with the hundreds of new recordings released every month.

54 of 56 people found the following review helpful.
The Guide has seen better days
By MartinP
Over the years, I have found the Penguin guide a useful reference for getting an idea of available recordings of a particular piece, and some kind of general idea of their respective merits. This latest edition, however, seems to have become too selective. Where earlier editions often seemed to list all serious contenders for a work, this one is much more limited, for instance listing no more than four recordings of Sacre du Printemps (including neither of my favourites, Chailly and MTT). For some works you may not find a listing at all (e.g., Zemlinsky's Seejungfrau). This is a pity, because this way the Penguin guide looses its main advantage over the Gramophone Good CD Guide, that has always been far more selective, and in my opinion is the more reliable source when it comes to aesthetic judgment. (E.g, the Penguin continues to list the inadequate and incomplete Kliegel as a serious recommendation for Kodaly's cello solo sonate, but doesn't bother to mention Claret or Wispelwey).

Also, recordings are listed that are no longer available (eg., the Abbado Gurrelieder).

The rating system has acquired several new features that will guarantee utter confusion. Three stars used to be the top, but now exceptional recordings can get four. But that isn't all, exceptional recordings can also still get the familiar rosette, and moreover can be qualified as a `key' recording, identified with a little key-symbol. What all this means is completely mysterious. There are four-star recordings with an without rosettes; three-star recordings with a rosette while four-star competition goes unrosetted; there are rosette-recordings that are key and others that aren't; and key recordings may be rated anything from two and a half to four stars. Strangely, too, for some works numerous key recordings are listed, which makes one wonder what makes them 'key'. It is nonsense to pretend music criticism is an exact science, and this fussy rating system is off the mark.

I wish the ample lay-out of headers and the boxes denoting key recordings had been dispensed with to allow more room for listing additional recordings.

For those wanting a general and extensive entrance point to the classical CD and DVD market, this guide will be useful nonetheless, and it has always been an interesting tome to thumb through, if only to check your own preferences against those of these self-styled musical gurus.

29 of 30 people found the following review helpful.
Flawed, but I am ADDICTED!
By R. Nadel
The Penguin Guide has changed only slightly over the years. I am sitting here looking at my first Penguin Stereo Record Guide from 1975 in hard back (small format, though). Back then I was wrapping up post-grad college, working in a large music store as Classical buyer, and the Guide was unquestionably the most respected and authoritative summary of classical music records that could be held in one hand. 1114 pages, quaintly including reviews of the Beatles' albums (influenced perhaps by Deryck Cooke?) comparing them to Stockhausen and Boulez and furthermore identifying George Martin as their Walter Legge (for the younger set, Legge was something of a genius classical/opera producer for EMI particularly after the war).

It's true the Penguin Guide is flawed, that editorial gaffs persist, like non sequitur junk DNA accumulating over the evolutionary millennia. It is true that the rating system is ambiguous and redundant on its face. It's true that a few recordings are reviewed in the body text without their names appearing in the recordings list for a particular piece. It's true that some albums listed are out of print and other, worthy titles in print do not appear anywhere. It's true that it is not comprehensive. But all those weaknesses taken together amount to little more than annoyance, unless you really expect a single volume can satisfy the range of classical music consumers from novice to devoted long hair music buffs.

It is still the most readable, fun, unputdownable single volume reference Guide. From the first, this Guide has given me a developing vocabulary in what differentiates classical music performances and recordings. It has shown me titles I would never have known about. The consistency of their approach allows me to compare my tastes to theirs, and adjust accordingly.

But something important is changing, I think.

My copy of this latest volume has over 1550 pages in large format and bears the telling subtitle "The Perfect Guide to Building Your Classical Collection". The subtitle has changed several times from no subtitle, to "The Guide to Excellence in Recorded Classical Music", to "The Key Classical Recordings on CD, DVD, & SACD", and now "The Perfect Guide to Building...". These volumes are essentially the same in content and style yet the subtitles changed. Why?

Put simply, the world around them has changed dramatically. The number of boutique labels is growing, adding to the mass of music recorded from the 50s/60s through the 90s. The number of excellent artists seems larger than ever. Sampling and rent-before-you-buy services make direct comparisons possible in a way we didn't have before the Web. Furthermore, if you are an experienced listener like me, you have thousands of vinyl and CD titles each. It is hard enough to keep track of my own music using a relational database, let alone the thousands of new recordings each year. When I first began to collect seriously, no one had listened to as much music as they had. Most of us who have been listening for years cannot now get what we want from a single volume anymore. We need the combination of single volume baseline reference, plus classical music periodicals (I get the BBC's Music magazine and they have I don't know how many reviews each month), PLUS online resources. Amidst the volume of classical music information, there is no single place I can go; I still like my single volume Penguin as a starting place for several reviews that I can assess, and then I can move out from there to other resources.

I don't know about the future, however. With Darwinian pressures exerted by the changing environment and an aging, shrinking, classical consumer population, plus new innovations from the Web, our Penguin will need to adapt and evolve in the face of the public's Natural Selection choices lest it find itself, like such birds as the moa, dodo, and passenger pigeon, on the verge of extinction.

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• Sales Rank: #5071144 in Books
• Published on: 2005-11-23
• Original language: English
• Number of items: 1
• Dimensions: 10.90" h x .46" w x 8.10" l, 1.04 pounds
• Binding: Paperback
• 200 pages

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0 of 1 people found the following review helpful.
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• Sales Rank: #879369 in Books
• Published on: 1700
• Binding: Paperback

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• Sales Rank: #1619224 in Books
• Brand: Brand: Bay View Books
• Published on: 1990-10
• Original language: English
• Number of items: 1
• Dimensions: 12.00" h x 9.50" w x .50" l,
• Binding: Hardcover
• 96 pages

Features

• Used Book in Good Condition

About the Author

 As well as writing two other book in our In Detail Series, Sunbeam-Talbot & Alpine In Detail, Jaguar XK120 In Detail and Jaguar XK140/150 In Detail, Anders has previously written 15 books, mostly on MG and Austin-Healey cars, including the famous Original titles but also books on Mini-Cooper, Porsche, Volvo, the Le Mans 24-hour race, and a popular history of Jaguar, and he has contributed to several magazines. He was one of the authors of the centenary history of the British motor industry and is a member of the Society of Automotive Historians. He is a keen motorcyclist and lives in Birmingham England.

Most helpful customer reviews

4 of 4 people found the following review helpful.
Simply excellent
By R. Renken
As a BMW 2002 & Z4 owner, driver, and BMW fanatic in general, I was exposed to Austin Healeys at the Alpine 500 vintage California rally this year. Being that purchasing books is cheaper than taking the plunge into purchasing cars, I grabbed two books on Austin Healeys. Two books on restoration, by accident. I really needed a guide on these fine cars.

Fortunately for me, this book is an EXCELLENT historical reference. This is not a how to restore an Austin Healey, this is a what you need, by VIN, to take yours back to original.

The author painstakingly dug through Austin Healey records to catalogue the changes within the series and between the years. Truly a monumental task. If only BMW had kept such detailed records between individual cars.

In the BMW world there is Mobile Tradition. MT will send you the build date, original color, and dealership that originally sold your car if you send them a VIN. With this guide, you get so much more. You get what suspension goes with your VIN, what brakes, when the brakes became disc in the front, at what VIN this was changed, at what VIN this manufacturer took over making the starter, etc..

Truly, this book is a wealth of knowledge for a person new to Austin Healeys and for someone looking to restore one to an original configuration. As a novice, the wealth of information can be overloading. However, the color pictures (some of Concours winners!) do make the nitty gritty details all that more enjoyable.

I'm off to find myself an Austin Healey!

0 of 0 people found the following review helpful.
Good restoration guide.
By Amazon Customer
Not quite enough images to remake an entire car to concours originality, but you can get pretty far.I have a BN4, and have used dash, engine compartment, and trunk images as a guide to restoration for my particular car. Other cars are as well documented. The images are very nice and the text is clear.

0 of 0 people found the following review helpful.
A fine member of a great series
By Denis L. Baggi
This is an example of a series about vintage British cars, by well-known expert Anders Ditlev Klausager. I started many years ago with the one of T-series MG's, as the proud owner of a 1950 TD.

I learnt a lot and was able to improve the originality of my car. It is worth noting that the author points to non-original items and discusses controversial features and dates, so it is possible to use these books as a standard for restoration.

I presently own five of them and plan to collect more from the series.

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Original Austin-Healey: The Restorer's Guide to 100, 100-Six and 3000, by Anders Ditlev Clausager PDF
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[T191.Ebook] Download PDF Kaplan & Sadock's Comprehensive Textbook of Psychiatry. 2 volume set, by Harold I; Sadock, Benjamin J Kaplan

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London published Psychology

• Published on: 2005
• Binding: Hardcover

Most helpful customer reviews

5 of 7 people found the following review helpful.
the bible for the psychiatrist
By Wiseguy945
If you are in psychiatry, then you know that this is the basic textbook of psychiatry training. If you are a medical student (unless you are going into psychiatry), this book is to comprehensive as a reference, and I strongly recommend the 10th edition synopsis book, which itself is around 1500 pages. This book has everything in it, and great tables to boot. I don't find it overwehlming to read as well. Though it may explain a lot of history behind a diagnosis and diffent changes throughout the course of it, it does not come off as being an "overwordy" text, like many comprehensive textbooks can be. It does not leave me with the "what did I just read, i need to re-read that" sense. So this is a good investment for the psychiatrist, and an absolute investment for any resident. This book, when actually used, will allow you to pass the boards.

3 of 4 people found the following review helpful.
Yes, it's worth the money.
By Jack Irons
This is probably the best reference/text to be found concerning psychiatry (and related fields). Anyone in a behavioral science field could benefit from this 2 volume, 55 chapter text. Excellent information, case studies, algorithms, tables & figures, & DSM-IV-TR/ICD-10 dx criteria, etc.

A major shortcoming is the index. The index could be much more detailed considering how much detail is in the text. As noted by another reviewer, one might have to tediously comb through an entire chapter or section to find information not indexed. However, the lackluster index doesn't outweigh the utility of this product.

4 of 5 people found the following review helpful.
Great Condition, Comprehensive Text
By C. Marrs
This 2 volume text came to me in great condition. You cant beat the price- If you are debating between the 9th and 8th edition, go for the 8th and save about $300. Besides, the DSM-V will be out soon rendering both editions "obsolete" as far as following DSM structure. Sure the 8th edition is missing a few of the newer pharmacological agents; but, again, save some money. Great text.... maybe too much information. Invaluable reference.

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GAIN A COMPLETE UNDERSTANDING OF THE LATEST PETROLEUM REFINING PROCESS TECHNIQUES

This authoritative resource will prove essential for anyone who needs current, expertly written coverage of the latest developments in the petroleum refining process industry. This fully revised Fourth Edition is a complete compendium of licensable technologies for the refining of petroleum and production of environmentally acceptable fuels and petrochemical intermediates. It delivers in-depth coverage of today’s petroleum refining technologies, methods, and best practices.

Handbook of Petroleum Refining Processes, Fourth Edition features chapter contributions from experts at some of the world’s leading petroleum companies, including: Amec Foster Wheeler, CB&I, Chevron Lummus Global, Honeywell UOP, Sinopec, and Technip Stone & Webster. Within its pages, you will get complete details on the excavation and production of coal, diesel, and heavy crude as well as fuels such as shale oil and gas. Product specifications, economics, and global environmental regulations are thoroughly explained.

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·       Separation Processes

·       Sulfur Compound Extraction and Sweetening

·       Visbreaking and Coking

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·       Oxygenates Production Technologies

·       Olefins from Methanol

·       Hydrogen Processing

 

• Sales Rank: #270390 in Books
• Published on: 2016-07-12
• Original language: English
• Number of items: 1
• Dimensions: 9.30" h x 1.20" w x 7.30" l, .0 pounds
• Binding: Hardcover
• 832 pages

About the Author

Dr. Robert A. Meyers, Ph.D., was manager of chemical process technology at TRW and is now president of RAMTECH Limited. He is the inventor or co-inventor of a number of important engineering processes, and has managed projects in nearly every facet of the fuel refining industry. Dr. Meyers is a senior member of the American Institute of Chemical Engineers, member of the American Physical Society, member of the American Chemical Society and serves on the UCLA Chemistry Department Advisory Board.

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[Z593.Ebook] PDF Download Due di due (Italian Edition), by Andrea De Carlo

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Due ragazzi così diversi tra loro da essere speculari: Mario, timido e riflessivo, impaurito dalla vita, indeciso nelle scelte; Guido, carismatico, inventivo, irrequieto, coraggioso fino all’incoscienza.

I due si incontrano al liceo, nel periodo tumultuoso delle contestazioni studentesche degli anni Sessanta. Più Mario si lega a Guido, figlio di una povera portinaia, più detesta il proprio retroterra borghese, e più è frustrato dalla propria incapacità di cambiare una vita che gli sembra priva di senso.

L’amicizia tra Mario e Guido continua mentre i due ragazzi diventano giovani uomini, determinati a sfuggire dalla triste atmosfera di Milano e dal loro senso di estraneità rispetto alle fazioni rivali del movimento studentesco, alle loro famiglie, alla società stessa. Insieme sperimentano i primi amori, i primi viaggi all’estero; condividono scoperte entusiasmanti e amare delusioni; sono allo stesso tempo inseparabili e incompatibili, come le due metà contraddittorie di una sola personalità.

Entrambi, ciascuno a modo suo, scelgono di non appartenere a un mondo emotivamente morto e schiavo della corruzione politica, dell’avidità industriale e del materialismo consumista. Mario nella sua confusa ricerca di un equilibrio finisce col fare il contadino sulle colline dell’Italia centrale, dove sogna di creare un ambiente naturale armonioso in cui vivere, mentre Guido, spinto dalla rabbia e dall’insoddisfazione, viaggia nei luoghi più lontani e scrive un romanzo incendiario, in cui denuncia l’alienazione fisica e morale della vita in una grande città.

Malgrado le differenze di carattere e le distanze che spesso separano Mario e Guido, il loro legame è così forte da non poter essere spezzato: questa è la storia di un’amicizia assoluta e necessaria, che sopravvive al passare del tempo, alle costrizioni dell’età adulta e a ripetute prove di lealtà.

Pubblicato per la prima volta nel 1989 e ristampato continuamente da allora, Due di due è diventato un vero e proprio romanzo “cult”, un classico contemporaneo che ha venduto milioni di copie, in cui sempre nuove generazioni di lettori si riconoscono con le loro inquietudini, i loro sogni, la loro capacità di immaginare un mondo diverso da quello che c’è.

“Un romanzo che con le sue prospettive utopiche racconta la storia di una generazione durante gli anni ’60 e ’70 e ne coglie in pieno lo stato emotivo.”
- Frankfurter Allgemeine Zeitung

"Un longseller che da 25 anni i ragazzi si passano di mano." - Cinzia Fiori, Corriere della Sera

“Lo sguardo ironico che identifica il nucleo di una situazione è una qualità straordinaria di Andrea De Carlo. Riesce a tirare fuori collegamenti complessi, perché li conosce a fondo.” - Neue Zürcher Zeitung

“Guido Laremi è il più bel personaggio della letteratura italiana degli ultimi dieci anni.” - Pietro Citati

• Sales Rank: #1520410 in eBooks
• Published on: 2015-10-27
• Released on: 2015-10-27
• Format: Kindle eBook

Language Notes
Text: Italian

Most helpful customer reviews

1 of 1 people found the following review helpful.
Un libro di amicizia
By Chessie
Due amici di scuola diventano uomini diversi ma mantengono l'amicizia fino al fine. Ho goduto questo libro e voglio leggerlo ancora.

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