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Minggu, 29 Maret 2015

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Sales Rank: #9675009 in Books
Published on: 1800
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Sabtu, 28 Maret 2015

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Collective Trauma, Collective Healing is a guide for mental health professionals working in response to large-scale political violence or natural disaster. It provides a framework that practitioners can use to develop their own community based, collective approach to treating trauma and providing clinical services that are both culturally and contextually appropriate. Clinicians will come away from the book with a solid understanding of new roles that health and mental health professionals play in disasters―roles that encourage them to recognize and enhance the resilience and coping skills in families, organizations, and the community at large.

The book draws on experience working with survivors, their families, and communities in the Holocaust, postwar Kosovo, the Liberian civil wars, and post-9/11 lower Manhattan. It tracks the development of community programs and projects based on a family and community resilience approach, including those that enhance the collective capacities for narration and public conversation.

Sales Rank: #10370624 in Books
Published on: 2013-07-31
Original language: English
Number of items: 1
Dimensions: 9.10" h x .70" w x 6.20" l, .97 pounds
Binding: Hardcover
216 pages

Review

"Jack Saul shows professionals how to build community programs that employ primordial human tactics to forge increased community resilience. This book has that rare ability to produce a paradigm shift in how we heal traumatized communities. It’s original and intellectually exciting. I bet it becomes a classic." ―Helen Fisher, PhD, research professor in the department of anthropology at Rutgers University

"Collective Trauma, Collective Healing is essential reading for all clinical and community-based professionals working with survivors of mass trauma. In contrast to the individualistic, symptom-focused approach of most mental health services, this practice framework addresses the widespread impact of major disasters in families and communities and taps their strengths and resources for recovery and resilience. In this valuable guide, Dr. Saul, an internationally recognized leader at the forefront of the field, draws on his extensive experience and creative initiatives to inform and inspire our response to trauma and tragedy by bringing out the best in families and their communities." ―Froma Walsh, PhD, codirector at the Chicago Center for Family Health, Firestone Professor Emerita at the University of Chicago and author of Strengthening Family Resilience

"This book is a wonderful collection of essays about the ways individuals and communities around the world, from Kosovo to Liberia, and from Tibet, and Chile, to Turkey and to New York after September 11, recover from collective trauma. It is filled with practical suggestions for how narratives, theater, and public performances can promote resilience and recovery in people and communities that have been devastated by wars, natural disasters, and interpersonal violence. It presents a solution-focused approach that emphasizes the individual’s or family’s strengths rather than their problems or pathology. It is a refreshing break from overly concrete prescriptions that ignore cultural and individual differences, and that tend neglect the healing power of community and collective action." ―Bessel van der Kolk, MD, professor of psychiatry, Boston University School of Medicine and medical director of the Trauma Center

"Jack Saul invites us to join him in his exploration of territories of torture, helplessness and destruction― a dark continent of inhumanity―and to experience with him the healing capacity of communities. Looking at scenarios as diverse as Kosovo, lower Manhattan on September 11, and the Liberian refugees on Staten Island, he describes how a group of systems thinkers, armed with an extraordinary trust in the power of social connections, joins in partnership with communities in search of justice, reconciliation, and resilience. Written with attention to the small details of survival, an understanding of the power of cultures in history, and the healing capacity of art and theater, Saul shows us the effort and endurance necessary to reconstruct life and restore sanity in societies that have experienced chaos. It is a powerful testimony." ―Salvador Minuchin, MD, founder of the Minuchin Family Center and author of Families and Family Therapy

"Jack Saul’s book is terrific and truly compelling for professionals who work with traumatized people. With first-hand stories, he artfully describes a range of out-of-office interventions to help families, neighborhoods, and communities in the aftermath of disaster. Dr. Saul is never better than when he writes about using the arts to understand the complexities of human trauma and resilience. Yes, even improvisation!" ―Pauline Boss, professor emeritus at the University of Minnesota, and author of Ambiguous Loss and Loss, Trauma, and Resilience

"With compassion and insight, Jack Saul shares his own journey through the aftermath of September 11th as witness, participant, and healer, chronicling the power of collective narrative to transform traumatic experience into communal recovery." ―Alice Greenwald, director, National September 11 Memorial & Museum

"In Collective Trauma, Collective Healing Jack Saul takes us through a masterful journey of his healing work addressing the ongoing tragedy of social and political traumas around the world. His work is creative, rich, sensitive, and deeply felt. His writing gives rare glimpses into how science and wisdom must be coalesced to treat the wounds of torture, loss, and devastation. Psychological science, art, and anthropology are so thoughtfully integrated in his work and writing to provide both a history of his intervention work and a guidebook for those brave enough to treat the collective wounds that both nature and humans too often cause. With this volume, Dr. Saul contributes meaningfully to repairing our world." ―Stevan E. Hobfoll, PhD, the Judd and Marjorie Weinberg Presidential Professor and chair of the department of behavioral sciences atRush University Medical Center

"Jack Saul’s clear and compelling narrative, based on his immersion in several catastrophes, offers practical knowledge on community resilience strategies for responding to collective trauma that will be highly informative for practitioners across many disciplines." ―Stevan Weine, MD, professor of psychiatry at the University of Illinois at Chicago and author of Testimony After Catastrophe

"In Collective Trauma, Collective Healing, Dr. Saul provides a detailed documentation of what it takes to recognize, develop, and sustain a community environment that promotes healing from mass disaster. Throughout the multiple examples in the book, including personal challenges to his own community in the wake of September 11, the author emphasizes the importance of going beyond individual approaches to mount a public health response after any disaster. Dr. Saul has a deep respect for systems and how they work, while never denying the inevitable tensions that occur and the competing agendas that can easily sabotage recovery efforts. As man-made and natural disasters increase in frequency and intensity, few of us are prepared by our professional training, to know what to do when faced with the kind of social challenge that Dr. Saul describes. This book, with all the lessons learned, becomes a must-read book for public and private managers." ―Sandra L. Bloom, MD, co-director of the Center for Nonviolence and Social Justice at the Drexel University School of Public Health

"Jack Saul is a dedicated healer whose deep understanding of systems therapy has taken him to the aid of injured communities around the globe. Yet it was September 11 that literally brought these lessons home, making him an insider to catastrophe. This blend of outsider knowledge and insider wisdom makes this the book on collective recovery. It will transform our practice." ―Mindy Thompson Fullilove, MD, professor of clinical psychiatry and socio-medical sciences, New York State Psychiatric Institute at Columbia University

"Most books simply espouse principles or ideal goals, telling us what to aim for, but not how to get there, and almost never do they walk us through the messy process of working in the wake of conflict. Saul’s book not only breaks critically important fresh ground in setting out the critical role that collective resilience plays in allowing individuals and communities to transform themselves after traumatic events. He also takes us with him on the journeys he travelled to make the discoveries he can now share. The various stories in his book convey the critical message that we cannot know the answer before we begin, at the same time as providing us with a toolkit of indispensible principles and resources for action." ―Danielle Celermajer, PhD, associate professor and director of the Torture Prevention Project at the University of Sydney

"Jack Saul's compelling book is a major achievement in the literature on trauma and recovery, nudging the discourse from the individual to the community. This must-read for mental health professionals and creative arts therapists blends psychotherapy and expressive therapy, reflection and action, featuring communities of dialogue front and center, capable of re-building destroyed edifices of the city and the soul. ―Robert Landy, PhD, professor and director of the drama therapy program at New York University

"Jack Saul brings to this book years of outstanding contribution and experience addressing the psychological needs of those exposed to many different types of disaster. As governments at all levels seek better ways to make communities resilient, this book offers much needed practical guidance for policy and practice. It is a unique contribution to an emerging field that is understanding that early intervention is always better, but that it's never too late to offer help in culturally appropriate ways." ―Michael Ungar, PhD, professor of social work at Dalhousie University and co-director of the Resilience Research Centre

"Collective Trauma, Collective Healing can serve as an introduction to understanding the effects of widespread trauma and responding to its impact at the level of the community and would be suitable for students and novice professionals as well as for seasoned professionals. In addition, this book has the potential to help break through the limited and limiting lens of impaired psychological functioning as consisting solely of individual psychopathology responsive only to one-on-one intervention. If it contributes to a shift in this perspective, it will have accomplished much more than Saul may have intended."― Steven N. Gold, Nova Southeastern University, PsycCRITIQUES

About the Author

Jack Saul, PhD, is assistant professor of clinical population and family health at Columbia University’s Mailman School of Public Health and director of the International Trauma Studies Program. As a psychologist he has created a number of programs for populations in New York City that have endured war, torture, and political violence, including the Bellevue/NYU Program for Survivors of Torture, REFUGE (Refugee Resource Center), Theater Arts Against Political Violence, the Post-9/11 Downtown Community Resource Center, and African Refuge. He consults with organizations on staff welfare in response to trauma-related work and has a private practice in Manhattan.

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4 of 5 people found the following review helpful.
Must read
By Cyril Bennouna
This book is fantastic. It presents plenty of meaty material to chew on, but presents it in ultra-refined prose that melts in your mouth. Contrary to typical dry academic texts, Collective Trauma uses personal narrative to illustrate its points. Complex yet clear, intense but often funny, this book challenged the way that I understand the day-to-day lives of sufferers and healers (which, as it turns out, can be one in the same). It is an absolute must-read for anyone interested in trauma, global mental health, humanitarian assistance, disaster relief, or medical anthropology; but it should be read by everyone.

1 of 1 people found the following review helpful.
Well written, but he could have provided more specific ...
By CEB
Well written, but he could have provided more specific information about the therapeutic regimen used in these case histories.

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Sales Rank: #2951897 in Books
Published on: 2013-04-30
Original language: French
Number of items: 1
Dimensions: 9.06" h x .28" w x 11.14" l,
Binding: Hardcover
35 pages

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Historians and literary scholars tend to agree that British intellectual culture underwent a fundamental transformation between 1770 and 1845. Yet they are unusually divided about the nature of that transformation and whether it is best understood as an epistemic rupture from, or a continuous dialogue with, the long eighteenth century. Rethinking British Romantic History, 1770-1845 rethinks the ways in which we understand the historical writing and the historical consciousness of late eighteenth- and early nineteenth-century Britain by arguing that British historicism developed largely in quasi and para-historical genres such as memoir, biography, verse, fiction, and painting, rather than in works of 'real' history. In a number of inter-related essays on changing generic forms, styles, methods, and standards, the collection demonstrates that the aesthetic developments associated with British literary 'Romanticism' not only intersected in mutually dependent ways with concurrent experiments and innovations in historical writing, but that these intersections forced an epistemological crisis-a deeply felt tension about the role of feeling and imagination in historical writing-that is still resonating in historiographical debates today. In exploring this theme, the volume also seeks to consider wider questions about the philosophy of history and literature, including questions of truth, evidence, professionalization, disciplinary strategies, and methodology. At its heart is the idea that literary texts and other artistic representations of history can have historical value, and should therefore be taken seriously by practitioners of history in all its forms.

Sales Rank: #3528660 in Books
Published on: 2015-01-27
Original language: English
Number of items: 1
Dimensions: 5.70" h x 1.10" w x 8.60" l, 1.39 pounds
Binding: Hardcover
352 pages

About the Author

Dr Porscha Fermanis is a Lecturer in Eighteenth-Century and Romantic Literature at University College Dublin. Her research interests include the relationship between Enlightenment and Romanticism; Romantic-era historiography and historical fiction; and Romantic poetry and poetics. She has published John Keats and the Ideas of the Enlightenment (Edinburgh University Press, 2009), and is currently working on A Concise History of Romanticism (with Carmen Casaliggi, forthcoming 2015) and a monograph entitled Romantic Pasts: Narrative History in Britain and Ireland, 1770-1850.

Dr John Regan is a Research Fellow at Clare Hall, University of Cambridge. His current research interests centre on the inter-relatedness of poetry, aesthetics, and historiography in the long eighteenth-century. Dr Regan has published on Scott's prosody, philosophical history and late Enlightenment antiquarianism, and the relations between versification and historiography in Byron.

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Sentiment analysis and opinion mining is the field of study that analyzes people's opinions, sentiments, evaluations, attitudes, and emotions from written language. It is one of the most active research areas in natural language processing and is also widely studied in data mining, Web mining, and text mining. In fact, this research has spread outside of computer science to the management sciences and social sciences due to its importance to business and society as a whole. The growing importance of sentiment analysis coincides with the growth of social media such as reviews, forum discussions, blogs, micro-blogs, Twitter, and social networks. For the first time in human history, we now have a huge volume of opinionated data recorded in digital form for analysis.

Sentiment analysis systems are being applied in almost every business and social domain because opinions are central to almost all human activities and are key influencers of our behaviors. Our beliefs and perceptions of reality, and the choices we make, are largely conditioned on how others see and evaluate the world. For this reason, when we need to make a decision we often seek out the opinions of others. This is true not only for individuals but also for organizations.

This book is a comprehensive introductory and survey text. It covers all important topics and the latest developments in the field with over 400 references. It is suitable for students, researchers and practitioners who are interested in social media analysis in general and sentiment analysis in particular. Lecturers can readily use it in class for courses on natural language processing, social media analysis, text mining, and data mining. Lecture slides are also available online.

Table of Contents: Preface / Sentiment Analysis: A Fascinating Problem / The Problem of Sentiment Analysis / Document Sentiment Classification / Sentence Subjectivity and Sentiment Classification / Aspect-Based Sentiment Analysis / Sentiment Lexicon Generation / Opinion Summarization / Analysis of Comparative Opinions / Opinion Search and Retrieval / Opinion Spam Detection / Quality of Reviews / Concluding Remarks / Bibliography / Author Biography

Sales Rank: #928916 in eBooks
Published on: 2012-05-01
Released on: 2012-05-01
Format: Kindle eBook

Most helpful customer reviews

2 of 2 people found the following review helpful.
Good
By Guilherme Cassolato
Cheap paperback format. Hardcover would've been better.
Good approach. Not a text-book (as expected).
Bing Liu is a great reference in the topic, mandatory citation in Semantic Web Mining.

0 of 0 people found the following review helpful.
Good collection all in one place
By Darren Cook
I'm still reading this, so I'll update if the later chapters are either terrible or brilliant.
There is quite a serious typo throughout the book (kindle version, downloaded around early October 2013): "1-32".
When followed by the word "stars" I am assuming it should read "1-5". But in at least one other place I think "1-3" was meant.

0 of 0 people found the following review helpful.
Lack of technicality
By LOV
This book is a little disappointing, most due to the non-technical writing style. Other books in this series appear to be more mathematical but this one is mostly without math. It is difficult to understand the technical details without disclosing the math, but it may be good for those who prefer non-math reading.

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Kamis, 12 Maret 2015

[Z517.Ebook] Free Ebook On Food and Cooking: The Science and Lore of the Kitchen, by Harold McGee

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On Food and Cooking: The Science and Lore of the Kitchen, by Harold McGee

Free Ebook On Food and Cooking: The Science and Lore of the Kitchen, by Harold McGee

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Harold McGee's On Food and Cooking is a kitchen classic. Hailed by Time magazine as "a minor masterpiece" when it first appeared in 1984, On Food and Cooking is the bible to which food lovers and professional chefs worldwide turn for an understanding of where our foods come from, what exactly they're made of, and how cooking transforms them into something new and delicious.

Now, for its twentieth anniversary, Harold McGee has prepared a new, fully revised and updated edition of On Food and Cooking. He has rewritten the text almost completely, expanded it by two-thirds, and commissioned more than 100 new illustrations. As compulsively readable and engaging as ever, the new On Food and Cooking provides countless eye-opening insights into food, its preparation, and its enjoyment.

On Food and Cooking pioneered the translation of technical food science into cook-friendly kitchen science and helped give birth to the inventive culinary movement known as "molecular gastronomy." Though other books have now been written about kitchen science, On Food and Cooking remains unmatched in the accuracy, clarity, and thoroughness of its explanations, and the intriguing way in which it blends science with the historical evolution of foods and cooking techniques.

On Food and Cooking is an invaluable and monumental compendium of basic information about ingredients, cooking methods, and the pleasures of eating. It will delight and fascinate anyone who has ever cooked, savored, or wondered about food.

Sales Rank: #4111 in Books
Brand: Simon & Schuster
Published on: 2004-11-23
Released on: 2004-11-23
Format: .dff
Original language: English
Number of items: 1
Dimensions: 9.25" h x 1.80" w x 6.63" l, 3.02 pounds
Binding: Hardcover
896 pages

Features

Used Book in Good Condition

From Publishers Weekly
Starred Review. Before antioxidants, extra-virgin olive oil and supermarket sushi commanded public obsession, the first edition of this book swept readers and cooks into the everyday magic of the kitchen: it became an overnight classic. Now, 20 years later, McGee has taken his slightly outdated volume and turned it into a stunning masterpiece that combines science, linguistics, history, poetry and, of course, gastronomy. He dances from the spicy flavor of Hawaiian seaweed to the scientific method of creating no-stir peanut butter, quoting Chinese poet Shu Xi and biblical proverbs along the way. McGee's conversational style—rich with exclamation points and everyday examples—allows him to explain complex chemical reactions, like caramelization, without dumbing them down. His book will also be hailed as groundbreaking in its breakdown of taste and flavor. Though several cookbooks have begun to answer the questions of why certain foods go well together, McGee draws on recent agricultural research, neuroscience reviews and chemical publications to chart the different flavor chemicals in herbs and spices, fruits and vegetables. Odd synergies appear, like the creation of fruity esters in dry-cured ham—the same that occur naturally in melons! McGee also corrects the European bias of the first edition, moving beyond the Mediterranean to discuss the foods of Asia and Mexico. Almost every single page of this edition has been rewritten, but the book retains the same light touch as the original. McGee has successfully revised the bible of food science—and produced a fascinating, charming text.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Scientific American
"In 1984, canola oil and the computer mouse and compact disc were all novelties... [and] the worlds of science and cooking were neatly compartmentalized." A lot has changed in 20 years: magazines and books now discuss the science of cooking, and culinary schools offer "experimental" courses that investigate the whys of cooking. So McGee, a writer who specializes in the chemistry of food and cooking, has completely rewritten his 1984 classic, expanding it by two thirds into a book that weighs in at almost 900 pages. He offers thorough, scientific explanations of countless topics, including why brining your turkey is not a good idea, why food wrapped in plastic often tastes like plastic, why you should never refrigerate tomatoes. And he continues to display, as one admirer said of the first edition, "a scientist's skill and a cook's heart."

Editors of Scientific American

From Booklist
*Starred Review* In the two decades since McGee's On Food and Cooking (1984) first appeared, it has reigned as the standard authority on gastronomical science, that area where science and art, technique, and aesthetics intersect. For the benefit of consumers everywhere, McGee has carefully revised and updated his magisterial achievement, adding new data from the latest scientific discoveries and reformatting the text to enhance its appeal to eyes grown accustomed to hypertext. This revised content encompasses such newly popular fruits as the Meyer lemon and the carambola. Recently marketed vegetables such as romanesco and arracacha appear. A table of descriptors for accurately categorizing aromas given off by fruits and vegetables rivals the controlled vocabulary established for wine. For the librarian, McGee provides useful, readily accessible information about individual foods, both animal and vegetable, cooking and preserving processes, and the chemistry and physics underlying them. For the armchair reader, McGee's prose style flowers into narrative text that makes every egg, every nut, every vegetable, every steak, and every spice a character in the intriguing, involving story of what we eat. Mark Knoblauch
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

11 of 11 people found the following review helpful.
Great and indispensable book; needs better kindle editing
By Wei Tang Huang
I agree with all the positive comments from other reviewers. This book explains the "whys" in ways that are logical, methodical, culinarily and scientifically relevant, such that the answers simply make sense. (e.g., explaining the difference between brown and white meat physiologically first, which makes it easy to understand why cooking them optimally requires different approach / temperature / duration, etc).

However, I'm disappointed by the kindle edition:

- It has no navigable Table of Content. Yes, there's a linking ToC at the beginning of the book, but you can't access individual chapters by going through Kindle's "Go To" menu.

- The book cross-references itself by page number, which is useless in the kindle edition. I wish the references were hyperlinked to the proper locations. Alternatively, Amazon can implement the new page number feature.

- The editing for kindle needs some fine tuning. The kindle edition embeds page number directly in the text, but not always sensibly:

"... the amino-acid content and there192 fish and shellfish fore [sic] taste intensity of fish varies according to the waters they're caught in."

- The placement / flows of sidebars don't always make sense on kindle. Sometimes you'll be in a new section and then encounter a block of text that seems to referring to the content in previous or next section. I suppose this is a limitation of kindle's small screen.

0 of 0 people found the following review helpful.
but is more like a textbook that might be used in a class ...
By Stuckoverthere
As a scientist myself, and as someone else enjoys cooking, this book has a special place in my heart. It has an insightful dabbling of history, science, and the culinary arts that make reading this a true please. Make no mistake, this is not a cookbook, but is more like a textbook that might be used in a class titled "Intro to Cooking." It is a history and scientific approach to cooking. There is chemistry, biology, and physics in here, sprinkled with a dash of history and a pinch of fun. If you go into this expecting a traditional cookbook you will be disappointed, but if you understand that you're buying a textbook here, you'll really enjoy it.

0 of 0 people found the following review helpful.
The Best!
By B. Bridges
I purchased this book for a course I took last semester. It is incredibly interesting. It's packed with information, but it never delivers it in a dull way. I find myself learning new things all the time as I peek into this book, and it has improved my confidence in the kitchen, as I have a better understanding of "WHY" things do what they do, or foods react to certain things, or change at certain temperatures, etc.
Great book that I return to again and again. The layout is excellent, and well organized. The index is stellar. This isn't the first effort or edition, and thus it is honed to precision, and delivers facts in an engaging way.

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Rabu, 11 Maret 2015

[D365.Ebook] PDF Download Everything Under the Sky, by Matilde Asensi

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Everything Under the Sky, by Matilde Asensi

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A great adventure in search of the First Emperor's treasure.

The book was second place for the International Latino Award. Over 1,000,000 copies sold worldwide by the so-called "Queen of the Spanish Adventure Fiction", one of the top writers in the Spanish language, and author of the best seller The Last Cato.

Set during the 1920s, Elvira De Poulain, a Spanish painter based in Paris, receives news that her estranged husband, now running the family textile business in China, has died in his house in Shanghai under strange circumstances and that she must make appropriate funeral arrangements. Accompanied by her niece, she leaves Marseille by boat to retrieve Rémy's body and claim her share of his worldly goods, unaware that this journey is the beginning of a compelling quest through China in search of the First Emperor's treasure.

After an eventful voyage, they finally arrive, and Elvira and Fernanda soon find themselves immersed in an underworld of gangsters, opium dens, and political intrigues.

The book has been successfully published in seven countries: US, Italy, Brazil, Holland, Greece, Romania, and Portugal.

Sales Rank: #152863 in Audible
Published on: 2015-05-21
Format: Unabridged
Original language: English
Running time: 801 minutes

Most helpful customer reviews

6 of 7 people found the following review helpful.
Another beautiful novel by Asensi
By ellen
Matilde Asensi is one of the queens of the historical novel - the problem is, Everything Under the Sky is only the 2nd book of all her books to be published in English - The first book, The Last Cato, is one of my all time favorite books - it dealt with quests in and around the Mediterranean - great read if you haven't read it already -
Everything Under the Sky is as great a book as Cato, but it is not the rollercoaster action of Cato, rather immerses you in the Chinese culture and legends, and in its own way sends you on another equally dazzling quest.
Elvira De Poulain, a Spanish painter living in Paris circa 1920 is travelling to Shanghai with her prudish niece Fernanda. Elvira has been notified her husband is dead. She does not know his death wasn't more than an accident.
After a harrowing journey, Elvira finds her husband incurred a crushing amount of debt. Selling everything she owned will not cover a minute part of the debt.
At a fete an Irishman approaches her that the lives of her and her niece's are in danger - that her husband was murdered because he had in his possession an artifact so precious it could clarify history and make the owner filthy rich to boot!
After finding Tichborne's story is correct, Elvira meets an antiquarian, Mr. Jiang, they embark on a journey to find the lost mausoleum of the First Emperor of China and the riches it holds!
The care Asensi writes with to paint a picture as eloquently as a Chinese calligraphy is amazing - the details of the trip through China to find the mausoleum, the description of the tomb itself, it so beautifully presented, you will want to stop and take in the intricasy and ease it was presented to you.
It is as wonderful as The Last Cato, but in its way, it has adopted the quiet dignity of the Chinese culture and shown an exciting quest in those eyes.
An excellent read.

1 of 1 people found the following review helpful.
Indiana Jones meets the (Chinese) Maltese Falcon
By BR
I meant what I said in the title; "Everything Under the Sun," reads like an Indiana Jones adventure, except it has the mistiness, darkness and speed of "The Maltese Falcon." You might even include a little "Star Wars," since a good part of the book is about people finding their way in a new frontier, in hopes of bettering life for others.

Elvira is a young Spanish painter who finds herself in deep trouble in the Shanghai of the 1920s, due to her husband's weakness for drugs, women and other amusements. With her teenage niece, her servant, a very learned Chinese antiquarian and an Irish journalist, she sets out to unify the pieces of a cultural treasure which will earn her enough money to pay off her husband's debts and return to Paris.

The reader learns a great deal about Chinese culture, literature, history and ways of thinking as Elvira and her partners are attacked by the Green Gang, learn more about their treasure in a Chinese monastery, exist on rice balls and hot tea as they journey closer to their treasure and suffer all kinds of indignities in the process.

A little less description would have been fine but I enjoyed "Everything Under The Sky" and would definitely read another by the author.

1 of 1 people found the following review helpful.
Fun and Interesting Read
By Fodos
I Read The Last Cato quite some time ago, and having thoroughly enjoyed it, was thrilled to find that another of Asensi's books had been translated into English. Without repeating the general story line, I found reading this book to be like watching Romancing the Stone or Indiana Jones. It would make a great movie in that genre, or possibly a video game with lot's of puzzles and riddles to solve. It is easy to read, touches on some of the concepts of Taoism and gives you a sense of what China was like back in the 1920's. There are also references to China's long and fascinating history mixed in with the action. Just enough information to get your curiosity up and perhaps propel you to delve deeper into China's history, culture and philosophies on your own.

With few chapters or breaks and a very fast pace, you'll find yourself searching for a place to stop so you can grab something to eat. This isn't easy as each section segues into another adventure almost immediately. A very enjoyable and fun read!

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Selasa, 03 Maret 2015

[T864.Ebook] Download PDF The Rose of Dawn - A Tale of the South Sea, by Helen Hay Whitney

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Published on: 2010-07-12
Original language: English
Dimensions: 11.00" h x .6" w x 8.50" l,
Binding: Paperback
24 pages

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Kamis, 26 Februari 2015

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This completely revised edition of the Penguin Guide reviews the major classical recordings issued and reissued over the past five decades, many of which dominate the catalogue because of their sheer excellence, irrespective of recording dates. More comprehensive than ever before and now updated annually, it indicates key recordings on CD, DVD and enhanced SACD, including those in surround sound. If you want the finest available version of any major classical work (including DVDs of opera and ballet) you will find it listed and assessed in these pages. Ranging from long-established recordings to the newest releases, the latest edition represents the cream of the international repertoire and has all the information you need to select the finest classical music available.

Sales Rank: #193681 in Books
Published on: 2008-11-25
Released on: 2008-11-25
Original language: English
Number of items: 1
Dimensions: 9.16" h x 2.46" w x 6.94" l,
Binding: Paperback
1602 pages

Review
Indispensable, illuminating and comprehensive The Times An indispensable and comprehensive survey. Anyone who wants to make sense of all the rival versions of classical music available on CD will find a great deal of illumination The Times More valuable than ever to any serious collector of classical music Wall Street Journal The bible for the discriminating record collector Daily Telegraph

About the Author
Ivan March is a well-known lecturer, journalist and writer in the world of recorded music. He lives in London, SW6. Edward Greenfield was for forty years on the staff of the Guardian and is a regular BBC broadcaster. He lives in London, E1. Robert Layton is a journalist and broadcaster. He lives in London, NW6. Paul Czajkowski is a music writer. He lives in London.

Most helpful customer reviews

150 of 154 people found the following review helpful.
3.5 stars -- continued slippage but good news for DVD fans
By Larry VanDeSande
I've owned the Penguin Guide continuously since 1984 and the 2008 version is about the tenth edition I've purchased. I've seen this guide go from having no competition to having some competition to being a model to be copied by the likes of the All Music Guide, Rough Guide to Classical Music, Third Ear Classical Music and the annual compendium of reviews Gramophone magazine puts together and markets under the moniker Gramophone Classical Music Guide 2008 (AKA Classical Good CD, DVD, & Download Guide)

In all this time, no other guide has continuously challenged the Penguin Guide's leadership in relating what's new and different in the universe of recorded classical music. Third Ear came closest but published only one edition in 2000. Today, the Penguin Guide is still the best at what it does but, based on my review of the 2008 edition, it is changing its ways and is slipping a bit behind the classical music industry.

I say it is slipping because the 2008 edition is hardly representative of the greatest recordings that have been issued since the last edition was published in 2005. Two significant historical events occurred in 2006 -- the Shostakovich centenary and the 250th anniversary of Mozart's birth. Both birthdays generated scores of new recordings, probably more for Shostakovich than in any single year ever before. They covered one of these celebrations pretty well in their pages but didn't do so well in the other.

The new Penguin Guide did best representing the reams of new Shostakovich recordings that came out that year. The 2008 tome includes discussion on the super audio cycle of symphonies from Kitaenko on Capriccio, the excellent DVD "Shostakovich vs. Stalin: The War Symphonies", and lists as its No. 1 version of the "Leningrad" symphony the super audio version by Hofman and the Beethoven Orchestra of Bonn on MGD. This even though it did not include a single listing of the series of Shostakovich symphonies being delivered by Caetani and the Verdi Orchestra of Milan.

They didn't cover the ground on Mozart's birthday so well, however. I looked for listings of my two favorite Mozart CDs released in 2006 -- Paul McCreesh's dynamic and dramatic reading of the Great C Minor Mass on Archiv and Peter Neumann's SACD recording of the Missa Solemnis and Vesperae Solennes on MGD -- and neither were included. The Penguin Guide listed two of Neumann's older Mozart choral recordings but missed the newer super audio job that was hailed by critics worldwide. I was astonished to find only three listings of CDs of the C Minor Mass and an addiitional one on CD. Surely this masterwork deserves greater representation than the inadequate listing of performances by Karajan, Gardiner and Herreweghe!

In fact, the more I looked, the more I found great recordings issued between guides not represented. To offer a short list, here are a few:

-- No new collections of either Bach's 6 Partitas for keybard or complete recordings of Beethoven's 32 Piano Sonatas even though Seattle professor Craig Sheppard recorded both to much critical accalim during the period.

-- No listing of Jos von Immerseel's recording of Ravel's Bolero, Concerto for the Left Hand, Rhapsodie Espanol, Pavane pour unde infante defunte and La Valse that BBC Music Magazine designated its album of the year for 2006.

-- No listing of the Abbado-Berlin Philharmonic reading of the Mahler Symphony No. 6 that Gramophone called its recording of the year for 2006.

-- No listing of the Rattle-Berlin Philharmonic recording of Gustav Holst's "The Planets" and four other insterstellar pieces of music that raised some eyebrows. It wasn't the greatest recording of the music but the Penguin Guide otherwise seems to find room to include every other recording from Englishman Simon Rattle.

The fact that the Penguin Guide is now more a collection of old favorites than ever before is most aptly demonstrated in the Mahler section. In the 11 pages covering his 10 symphonies, I counted only 6 new recordings from the past edition and not one of them is really new -- they are all older recordings either seeing first light (Solit-Chicago Symphony 1 on Decca and Bernstein-Vienna Philharmonic 5 on DG) or re-recordings of older recordings (Hatink-Concertgebouw 8 on a PentaTone SACD issue). With a half-dozen Mahler cycles in progress the past few years, this seems short shrift indeed as a recommendable section.

Meanwhile, most of a decade removed from the Bach birthday in 2000, the 2008 Penguin Guide is still carrying every listing of the complete Bach cantata recordings by Harnoncourt-Leonhardt, Koopman, Suzuki and Gardiner -- twice! -- with notations for the Gardiner recordings on both Archiv and the Soli Deo Gloria series. To complete my list of what I perceive as debits in the new edition, the text is more difficult to read. The text size appears to be about the same (small) but italicized headers in much larger type (and a different text face) and boxes around what the book calls its "key" recordings more distracted than assisted me.

Some changes for 2008: The editors seem to have changed their concept a bit this time, too, by not listing every recording they talk about in text. In other words, their ongoing discussion may include recordings not listed in the headings, so keep reading to see if your favorite is there. The editors made another change -- the Penguin Guide now uses a 4-star rating system. It had always been a 3-star system until this edition. They do not address this in the text so I can't say why this happened.

I have concentrated on demerits but there are improvements in the new edition. The Penguin Guide caught a few recordings I thought might slip under its radar including a wonderful 2006 recording of Offenbach's Concerto Militaire by Pernoo and Minkowski. In addition to representative coverage of the Shostakovich year the new Penguin Guide has made a concerted effort to cover a much wider range of DVD this time, especially those for opera and sacred music. The Beethoven symphony section has nearly as many DVD as CD listings. They tend to list these in this way, always scrupulously listing the DVD director:

Wagner: Tristan und Isolde (complete; DVD version)
Wagner: Tristan und Isolde (complete: CD version)

It still has over 1,500 pages and lists most composers famous and not so famous. I think the bottom line is people that don't subscribe to critical review magazines or do not closely follow Internet review mechanisms, and look for one guide to cover the entire industry, will probably benefit by acquiring this book. Yet, perhaps the greatest demerit of this guide is that, if you don't record on a major label or on Naxos, you don't have much chance of being included in this book. For those of us that follow the industry closely, the new Penguin Guide demonstrates, more than ever before, its inability to keep up with what's going on with the hundreds of new recordings released every month.

54 of 56 people found the following review helpful.
The Guide has seen better days
By MartinP
Over the years, I have found the Penguin guide a useful reference for getting an idea of available recordings of a particular piece, and some kind of general idea of their respective merits. This latest edition, however, seems to have become too selective. Where earlier editions often seemed to list all serious contenders for a work, this one is much more limited, for instance listing no more than four recordings of Sacre du Printemps (including neither of my favourites, Chailly and MTT). For some works you may not find a listing at all (e.g., Zemlinsky's Seejungfrau). This is a pity, because this way the Penguin guide looses its main advantage over the Gramophone Good CD Guide, that has always been far more selective, and in my opinion is the more reliable source when it comes to aesthetic judgment. (E.g, the Penguin continues to list the inadequate and incomplete Kliegel as a serious recommendation for Kodaly's cello solo sonate, but doesn't bother to mention Claret or Wispelwey).

Also, recordings are listed that are no longer available (eg., the Abbado Gurrelieder).

The rating system has acquired several new features that will guarantee utter confusion. Three stars used to be the top, but now exceptional recordings can get four. But that isn't all, exceptional recordings can also still get the familiar rosette, and moreover can be qualified as a `key' recording, identified with a little key-symbol. What all this means is completely mysterious. There are four-star recordings with an without rosettes; three-star recordings with a rosette while four-star competition goes unrosetted; there are rosette-recordings that are key and others that aren't; and key recordings may be rated anything from two and a half to four stars. Strangely, too, for some works numerous key recordings are listed, which makes one wonder what makes them 'key'. It is nonsense to pretend music criticism is an exact science, and this fussy rating system is off the mark.

I wish the ample lay-out of headers and the boxes denoting key recordings had been dispensed with to allow more room for listing additional recordings.

For those wanting a general and extensive entrance point to the classical CD and DVD market, this guide will be useful nonetheless, and it has always been an interesting tome to thumb through, if only to check your own preferences against those of these self-styled musical gurus.

29 of 30 people found the following review helpful.
Flawed, but I am ADDICTED!
By R. Nadel
The Penguin Guide has changed only slightly over the years. I am sitting here looking at my first Penguin Stereo Record Guide from 1975 in hard back (small format, though). Back then I was wrapping up post-grad college, working in a large music store as Classical buyer, and the Guide was unquestionably the most respected and authoritative summary of classical music records that could be held in one hand. 1114 pages, quaintly including reviews of the Beatles' albums (influenced perhaps by Deryck Cooke?) comparing them to Stockhausen and Boulez and furthermore identifying George Martin as their Walter Legge (for the younger set, Legge was something of a genius classical/opera producer for EMI particularly after the war).

It's true the Penguin Guide is flawed, that editorial gaffs persist, like non sequitur junk DNA accumulating over the evolutionary millennia. It is true that the rating system is ambiguous and redundant on its face. It's true that a few recordings are reviewed in the body text without their names appearing in the recordings list for a particular piece. It's true that some albums listed are out of print and other, worthy titles in print do not appear anywhere. It's true that it is not comprehensive. But all those weaknesses taken together amount to little more than annoyance, unless you really expect a single volume can satisfy the range of classical music consumers from novice to devoted long hair music buffs.

It is still the most readable, fun, unputdownable single volume reference Guide. From the first, this Guide has given me a developing vocabulary in what differentiates classical music performances and recordings. It has shown me titles I would never have known about. The consistency of their approach allows me to compare my tastes to theirs, and adjust accordingly.

But something important is changing, I think.

My copy of this latest volume has over 1550 pages in large format and bears the telling subtitle "The Perfect Guide to Building Your Classical Collection". The subtitle has changed several times from no subtitle, to "The Guide to Excellence in Recorded Classical Music", to "The Key Classical Recordings on CD, DVD, & SACD", and now "The Perfect Guide to Building...". These volumes are essentially the same in content and style yet the subtitles changed. Why?

Put simply, the world around them has changed dramatically. The number of boutique labels is growing, adding to the mass of music recorded from the 50s/60s through the 90s. The number of excellent artists seems larger than ever. Sampling and rent-before-you-buy services make direct comparisons possible in a way we didn't have before the Web. Furthermore, if you are an experienced listener like me, you have thousands of vinyl and CD titles each. It is hard enough to keep track of my own music using a relational database, let alone the thousands of new recordings each year. When I first began to collect seriously, no one had listened to as much music as they had. Most of us who have been listening for years cannot now get what we want from a single volume anymore. We need the combination of single volume baseline reference, plus classical music periodicals (I get the BBC's Music magazine and they have I don't know how many reviews each month), PLUS online resources. Amidst the volume of classical music information, there is no single place I can go; I still like my single volume Penguin as a starting place for several reviews that I can assess, and then I can move out from there to other resources.

I don't know about the future, however. With Darwinian pressures exerted by the changing environment and an aging, shrinking, classical consumer population, plus new innovations from the Web, our Penguin will need to adapt and evolve in the face of the public's Natural Selection choices lest it find itself, like such birds as the moa, dodo, and passenger pigeon, on the verge of extinction.

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