Selasa, 30 Maret 2010

[V258.Ebook] Download Tobira (Japanese and English Edition), by Mayumi Oka

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Tobira (Japanese and English Edition), by Mayumi Oka

Unmarked book with light wear

  • Sales Rank: #34467 in Books
  • Brand: Brand: Ingram
  • Published on: 2009-07-15
  • Original language: Japanese
  • Number of items: 1
  • Dimensions: .80" h x 7.20" w x 10.00" l, 1.13 pounds
  • Binding: Paperback
  • 403 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

93 of 94 people found the following review helpful.
The Gateway to Advanced Japanese
By Peter A. Prahar
This is a review of Tobira: Gateway to Advanced Japanese Learning through Content and Multimedia by Mayumi Oka, Michio Tsutsui, Junko Kondo, Shoko Emori, Yoshiro Hanai, and Satoru Ishikawa (2009).

Tobira would be an excellent backbone textbook for a serious third-year college-level course in Japanese. The authors expect the students to have completed one of several widely-used introductory/intermediate series (Genki, Yookoso, or Nakama) in preparation for work at this level. I'd imagine that many instructors would want to introduce some material to bridge from these to Tobira. I'd estimate that students who master the Tobira material would test up to a "B2" on the Common European Framework of Reference for Languages scale; have a shot at a S2+/R2+ on the Interagency Language Roundtable scale; and do very well on the N3 level of the new Japanese Language Proficiency Test. More importantly, they would have a solid foundation for further study using unedited materials.

The intermediate-to-advanced level is hard for everyone. Students, after several years of study, naturally want to begin using the language to pursue their individual interests. Unfortunately, students of Japanese, unlike students of commonly studied "Western" languages, are not quite at that point yet; frustration is not unusual. Teachers, on the other hand, are often faced with a classroom of students with widely different interests - ranging from manga to a job with the Bank of Japan - and with different introductory/intermediate experiences, including some who have lived in Japan. Realizing this, I think Tobira does a pretty good job of providing at least something for everyone while continuing to develop students' overall reading, speaking, and listening skills. A teacher's guide - not examined - is available.)

The 15 chapters consist of one or more extended reading sections (which, unlike those in many textbooks, are actually interesting and informative); several shorter dialogue pieces; 15 or so grammar points with examples; more extended discussions of tricky grammatical features; and, depending on the student's incoming level, 100-150 new vocabulary items, including 50-70 words recommended for memorization. The text assumes the student knows about 290 kanji to start with (they are listed on the Tobira website), and introduces around 35 new ones per chapter for a total of about 500 additional kanji. A supplementary text - Tobira: Power Up Your Kanji (800 Basic Kanji as a Gateway to Advanced Japanese) - is available to review the "basic" 290 kanji and to practice the new ones.

Tobira touts its "multimedia" element, so a few comments on how well this is done are in order. First, high quality audio recordings of the readings and dialogues are available on the web and easily downloaded. Second, short (5-6 minute) video clips are also available to accompany ten or so of the lessons. These are by no means as numerous or as well-developed as those that are available for more-commonly taught languages; perhaps they are best seen as suggestive of what is possible (given, I'd assume, more funding for this worthy cause!). Next, students can use Language Partner Online software to practice interactive dialogues that correspond to many of the Tobira chapters. Additionally, the Tobira website features practice materials, including kanji flashcards, and a Q&A forum. Finally, there are numerous links to useful sites in general as well as to sites particularly suited to the theme of each of Tobira's chapters: sports, haiku/senryuu, politics, environment, education, popular culture, etc.

In a world in which language textbook packages are approaching or exceeding $200 per set, Tobira represents quite a value, with much of what is typically sold to students at what I consider extortionate prices available for free on the web.

The bottom line: This text lives up to its billing as the "Gateway to Advanced Japanese." However, in addition to the web-based material linked to the Tobira website, students may wish to supplement it with the following: Read Real Japanese Essays: Contemporary Writings by Popular Authors, Janet Ashby (editor); Read Real Japanese Fiction: Short Stories by Contemporary Writers, Michael Emmerich (editor); and Breaking into Japanese Literature: Seven Modern Classics in Parallel Text, Giles Murray (editor and author). These, like Tobira, provide a variety of examples of modern Japanese and make learning Japanese interesting and even - dare I say it? - fun. Gambatte!

42 of 42 people found the following review helpful.
A good point of departure
By TSX
I used Tobira for a third-year (accelerated) Japanese course and found it to be extremely useful. Tobira introduces grammar and kanji via short expository articles (typically two pages in length) that focus on particular aspects of Japanese culture and society (i.e. religion, manga, robotics, and even the ubiquitous "combini"). Surprisingly, these were very interesting and informative articles. I would say that these articles are akin to brochure-type articles designed by travel agencies or culture centers looking to promote Japan to foreigners. In any case, I didn't find myself lulled to sleep.

Kanji:
- As far as kanji goes, Tobira users are "assumed to have learned the 290 kanji introduced in most major beginning level Japanese textbooks" (the Tobira website has these kanji listed). Prior to your course's start, I would recommend looking over this list to assure that these kanji are familiar because there tends to be little conformity in terms of introducing kanji among the popular beginner texts. In total, Tobira covers 503 new kanji (based on JLPT level 2 kanji) with 35 kanji introduced in each chapter, and this number is subdivided into kanji that a student must learn to read and write (RW Kanji) and those that one need only know how to read. In practice, though, a bunch of kanji that do not necessarily require your attention are interspersed so you can learn these at your own discretion (which you should). Beginners may find it jarring that the textbook makes no effort to formally teach kanji so know that you will have to develop your own kanji learning method (at this level a kanji dictionary should always be nearby).

Grammar:
- Grammar points are given brief explanations at the end of each chapter. The explanations will indicate a sentence within the article that utilizes that particular grammar point and also include a few independent examples of that grammar being used. Overall, grammar points are explained in a very clear and concise manner.

Conversational Japanese:
- Each article is followed by a dialogue section that teaches conversational Japanese. Beginning and intermediate textbooks are prone to teaching stuffy and largely impractical conversational Japanese, but Tobira really hits the nail on teaching the type of Japanese that one can use in everyday conversations (I took this course in Kyoto and found the content very applicable). Mind you, you will still be a far cry from the vernacular of Japanese youths, but at least you have a few informal options.

Multimedia:
- Tobira sells itself as a multimedia textbook and mostly lives up to this claim. While the multimedia aspect is not technologically groundbreaking, it is useful and handy. Students wishing to practice conversations, for example, can speak with virtual partners on the Tobira website (pre-recorded dialogue conversations with actual people). The Tobira website also has audio books of each article available for download as well as recordings of the dialogues. It is always useful to hear something read by a fluent Japanese speaker so these recordings were very handy. Also, there are even some miscellaneous culture videos related to each chapter.

Overall:
- Tobira lives up to its name as the "gateway to advanced Japanese." The material is engaging and sophisticated. Tobira does not coddle the student like most beginning textbooks, but instead gives the student a taste of what advanced Japanese might look like. After completing Tobira I would reckon that a student should be able to comfortably read everyday articles (with dictionary aid of course) of varying difficulty. Overall, If you are a serious Japanese student looking to become fluent, then Tobira is a good point of departure.

0 of 0 people found the following review helpful.
Straightforward
By Amazon Customer
A very basic and in depth introduction to learning Japanese grammar and vocabulary. However, you should already know how to form basic sentences and the entire Japanese alphabet to start on this book. Covers a nice range of common Japanese words, but probably will not help a significant amount in improvement of daily conversation.

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Kamis, 25 Maret 2010

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  • Sales Rank: #485138 in Books
  • Dimensions: .0" h x .0" w x .0" l,
  • Binding: Paperback

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Minggu, 21 Maret 2010

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The First Christmas: What the Gospels Really Teach About Jesus's Birth, by Marcus J. Borg, John Dominic Crossan

“Who could argue with the message the authors draw from the Bible’s Christmas stories? Light in the darkest time of the year, hope in a period of creeping despair—these are powerful and universal themes that can give everyone a stake in Christmas.”
—USA Today

 

In The First Christmas Marcus J. Borg and John Dominic Crossan—top Jesus scholars and authors of The Last Week—help us see the real Christmas story buried in the familiar Bible accounts. Basing their interpretations on the two nativity narratives in the Gospels of Matthew and Luke, Borg and Crossan focus on the literal story—the inner truth rather than the historical facts—to offer a clear and uplifting message of hope and peace. With The First Christmas readers get a fresh, deep, and new understanding of the nativity story, enabling us to better appreciate the powerful message of the Gospels.

  • Sales Rank: #197699 in Books
  • Published on: 2009-10-06
  • Released on: 2009-10-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .61" w x 5.31" l, .46 pounds
  • Binding: Paperback
  • 272 pages

Review
“With meticulous scholarship and accessible language, “The first Christmas”... uncover(s) the genuine meaning of...the Birth of Jesus.” (The Progressive Christian)

From the Back Cover

In The First Christmas, two of today's top Jesus scholars, Marcus J. Borg and John Dominic Crossan, join forces to show how history has biased our reading of the nativity story as it appears in the gospels of Matthew and Luke. As they did for Easter in their previous book, The Last Week, here they explore the beginning of the life of Christ, peeling away the sentimentalism that has built up over the last two thousand years around this most well known of all stories to reveal the truth of what the gospels actually say. Borg and Crossan help us to see this well-known narrative afresh by answering the question, "What do these stories mean?" in the context of both the first century and the twenty-first century. They successfully show that the Christmas story, read in its original context, is far richer and more challenging than people imagine.

About the Author

Marcus J. Borg (1942–2015) was a pioneering author and teacher whom the New York Times described as "a leading figure in his generation of Jesus scholars." He was the Hundere Distinguished Professor of Religion and Culture at Oregon State University and canon theologian at Trinity Episcopal Cathedral in Portland, and he appeared on NBC's The Today Show and Dateline, ABC's World News, and NPR's Fresh Air. His books have sold over a million copies, including the bestselling Meeting Jesus Again for the First Time, Reading the Bible Again for the First Time, Jesus, The Heart of Christianity, Evolution of the Word, Speaking Christian, and Convictions.



John Dominic Crossan, professor emeritus at DePaul University, is widely regarded as the foremost historical Jesus scholar of our time. He is the author of several bestselling books, including The Historical Jesus, How to Read the Bible and Still Be a Christian, God and Empire, Jesus: A Revolutionary Biography, The Greatest Prayer, The Last Week, and The Power of Parable. He lives in Minneola, Florida.

Most helpful customer reviews

34 of 35 people found the following review helpful.
How is Christ in Christmas?
By Robert Cornwall
It is nearing the Christmas season, we say we want Jesus to be in Christmas, but in what way is this true? This book came out a few years ago, which is when I first read it, but it's in paperback now, and has something to say to us about Christmas.

In the popular mind the Christmas story as symbolized by the crèche involves Joseph, Mary, and the little baby Jesus lying in a manger (feeding trough), surrounded on one side by shepherds and by three kings on the other. Of course there are the requisite barnyard animals standing around like movie extras. Above this scene flies the tiny cherubic angel. That such a scene is at best a conflation of the gospel texts doesn't seem to matter. It is what we think Christmas is about.

Marcus Borg and John Dominic Crossan offer to the general reader a different reading of the Christmas story, one that is rooted in their earlier works on Jesus. In fact, if you've been reading any of their recent books you will hear strong echoes (especially of Crossan's God and Empire -- HarperSanFrancisco, 2007). A companion piece to their earlier - and in many ways stronger - The Last Week (HarperSanFrancisco, 2005), Borg and Crossan offer a "parabolic reading" of the two Christmas stories (infancy narratives). They use the term parable here as an alternative to factual and fable - the two usual understandings of these two overlapping but in so many ways very different stories of Jesus' birth. Factualism focuses on historical veracity, while fable implies that these are simply fairy tales that can be easily dispensed with. By speaking of them as parables, they suggest that the focus is not on factuality (which for the most part they discount) but on the meaning of the stories. And meaning they do have. Indeed, these are by their very nature subversive stories - subversive in that they challenge the reigning paradigm (Herod is "King of the Jews" and that Caesar is "Son of God" and Savior and Light of the World.

The authors speak of the infancy narratives as "parabolic overtures," by which they mean that the first two chapters of Matthew and Luke (the only two canonical infancy stories) contain in miniature the full gospel story. In this retelling of the story of Jesus, we discover the parallels and the contrasts. In many ways Matthew portrays Jesus as the New Moses - the new law giver, for like Moses Jesus is rescued from the murderous king. In Matthew Jesus goes down to Egypt to escape Herod's wrath; in Exodus Moses leads the people out of Egypt. But in both cases the lead actor is spared so as to save his people from the hand of the tyrant. Luke on the other hand, sees Jesus in contrast to Caesar Augustus, who also is acclaimed as son of God (Apollo) and Savior. We also see in these first two chapters many of the emphases of Luke's gospel - his emphasis on women (Mary, Elizabeth, and Anna figure prominently), an emphasis on the poor and the marginalized (the shepherds), and on the Holy Spirit.

Central to understanding these stories is their historical context - both their Jewish and their Roman context. Thus imperialism figures prominently (see Crossan's God & Empire). This is a story of contrasting kingdoms - that of Rome and that of God. Both promise peace, but one is byway of victory (violence) and the other through justice (non-violence). As such it is also the story of messianic expectations - the belief that a son of David would one day appear.

Part two of the book moves from contextual issues to the deeper issues inherent in the stories - the genealogies, which are themselves parabolic, the visitation by angels, birth in Bethlehem. Each of these aspects of the story is more theological than historical and is meant to cement the messianic role of Jesus. Again, the contrast here has political and subversive connotations - although Matthew and Luke have different audiences in mind.

Finally, in part three we come to the theological reflections - three images: Light, fulfillment, joy. Whether it is the star guiding the magi to Bethlehem or the glories of heaven that fill the sky when the angels appear to the shepherds, light is a central theme, and at the heart of this usage is the belief that Jesus is the light to the nations/gentiles. Jesus is also fulfillment of the Old Testament. In Matthew it is a prediction-fulfillment formula, whereas in Luke it is more thematic - echoes and reflections in hymns such as the Magnficat where Old Testament language and themes resonate. And finally, as the hymn so resplendently proclaims - the Christmas story is about "Joy to the World."

As one might expect from a book by these two authors, the focus is not on fact but on meaning, with the political implications being paramount. Both writers are concerned that the gospels be seen as a word of warning and a word of hope to a world that is in danger of self-destructing. It is a warning about the dangers of imperialism - whether Roman or American. Most of all it is an attempt to reach out to the lay person - Christian or not. Clergy and scholars will find little that is new here, but this will prove to be useful fodder for even the well informed about scholarly trends.

Whether one agrees with all that is here, the tone is to be appreciated. The love that these men have for the stories is in evidence. Even when they "demythologize" the stories and reveal the fictional side, they don't do so gloatingly, but with a view to helping people better appreciate the meaning of the stories. In this, one hopes they will be successful.

71 of 86 people found the following review helpful.
Bor4g and Crossan Publish Another Winner
By H. Alan Elmore
Marcus Borg and John Dominic Crossan are famous for taking current biblical scholarship and making it readable for the general public. The First Christmas is an excellent example. It is an easy to read version of current belief about the Birth Narratives in the Gospels of Matthew and Luke. It is not a devotional book.
Few Bible academics even imagine that the Birth Narratives are historical. However, to use the word "myth" has too many connotations. Borg and Crossan use the term "parables" for these accounts. Although there is some similarity, the differences are great. Christmas combines the two accounts, and nobody is aware of it.
This book calls the Birth Narratives "parabolic overtures," meaaning that they are intentional parables, intended to tell the general approach to Jesus that is taken in each Gospel, Matthew and Luke. The comparison is excellent reading.

36 of 42 people found the following review helpful.
Christmas Riches
By Scott Elliott
Marcus Borg and John Dominic Crossan explore Matthew and Luke's Christmas narratives in this provocative-can't-put-down book. They place the stories in historical context and then thoughtfully explore the rich symbolism and meaning of the Gospel accounts of events surrounding the birth of Jesus. The results are new and powerful meanings to the Christmas stories for the modern ear-- stories that for two-thousand years have beckoned humankind away from the pursuit of peace though violence and toward God's call to the pursuit peace though non-violence and justice for all. THIS A GREAT BOOK THAT IS WELL WORTH THE READ!

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Kamis, 18 Maret 2010

[W399.Ebook] Download PDF Escape of Marvin the Ape Board Book, by Caralyn Buehner

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Escape of Marvin the Ape Board Book, by Caralyn Buehner

An ape has escaped from the city zoo! No, it’s not Curious George. It’s another charmer named Marvin, and he’s celebrating his fifteenth year of silliness. This book was the very first collaboration for husband-and-wife team Mark and Caralyn Buehner, and their imagination and humor were already on full display. As gigantic gorilla Marvin manages to hide himself from the police on the subway, at the toy store, on the ferry, and at the ball game, the simple text and bold, funny illustrations are just right for this new board-book edition.

  • Sales Rank: #1645170 in Books
  • Brand: Brand: Dial
  • Published on: 2007-10-18
  • Released on: 2007-10-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.34" h x .58" w x 7.58" l, .66 pounds
  • Binding: Board book
  • 24 pages
Features
  • Used Book in Good Condition

About the Author
The husband-and-wife team behind the best-selling Snowmen at Night and Snowmen at Christmas, Carolyn and Mark Buehner are also the creators of the award-winning Fanny’s Dream. Upcoming collaborations include an original fairy tale about a lonely princess who decides to become a hairdresser. They live in Utah with their nine children.
The husband-and-wife team behind the best-selling Snowmen at Night and Snowmen at Christmas, Carolyn and Mark Buehner are also the creators of the award-winning Fanny’s Dream. Upcoming collaborations include an original fairy tale about a lonely princess who decides to become a hairdresser. They live in Utah with their nine children.

Most helpful customer reviews

0 of 0 people found the following review helpful.
yomama
By yomama
Love this book!!! My son has loved it since he was 11 months old. It is such a cute story!!! Love the pictures and artist...have bought other books by the same...just because the pictures are awesome!!! Will give as gifts for sure!!

0 of 0 people found the following review helpful.
Great book
By thaicalder
I love the Buehner's books. They are fun to read to any age. It is especially fun to search for the hidden pictures.

0 of 0 people found the following review helpful.
Love it!
By andynjamie
My son loves this book. He started it around 18 months and still loves it at his second birthday. He loves finding the ostrich and black cat in every image.

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Selasa, 09 Maret 2010

[T946.Ebook] Get Free Ebook Les soufis d'andalousie / la vie merveilleuse de dhu l nun l'egyptien, by Ibn Arabi/

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Toute la vie d'Ibn'Arabi (1165-1240) pourrait se résumer à un long parcours, de l'Espagne musulmane à Damas en passant par le Maghreb, l'Egypte et la Mekke. Parcours initiatique où la rencontre des grands saints tient une place majeure, et qui fait le lien entre les formes occidentales et orientales du soufisme. Par des biographies des maîtres soufis, des anecdotes significatives, des portraits et des exposés de leur enseignement spirituel, celui que l'on a surnommé "le vivificateur de la religion" n'a cessé de témoigner en faveur de ses frères en mystique. Le présent volume réunit deux livres, parmi les plus précieux, de cette grande fresque du premier soufisme : Les soufis d'Andalousie qui évoque des dizaines de maîtres spirituels rencontrés par Ibn'Arabi, et La vie merveilleuse de Dhû-I-Nûn l'Egyptien qui brosse le portrait de ce fascinant personnage du IXe siècle. Aussi vifs que profonds, ces récits invitent le lecteur à rechercher sans cesse le Dieu Un.

  • Sales Rank: #9124064 in Books
  • Published on: 1995-09-01
  • Original language: French
  • Number of items: 1
  • Dimensions: .91" h x 4.92" w x 7.48" l,
  • Binding: Paperback

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Senin, 08 Maret 2010

[N914.Ebook] Download Q: The Autobiography of Quincy Jones, by Quincy Jones

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Q: The Autobiography of Quincy Jones, by Quincy Jones

Musician, composer, producer, arranger, and pioneering entrepreneur Quincy Jones has lived large and worked for five decades alongside the superstars of music and entertainment -- including Frank Sinatra, Michael Jackson, Steven Spielberg, Oprah Winfrey, Ray Charles, Will Smith, and dozens of others. Q is his glittering and moving life story, told with the style, passion, and no-holds-barred honesty that are his trademarks.

Quincy Jones grew up poor on the mean streets of Chicago’s South Side, brushing against the law and feeling the pain of his mother’s descent into madness. But when his father moved the family west to Seattle, he took up the trumpet and was literally saved by music. A prodigy, he played backup for Billie Holiday and toured the world with the Lionel Hampton Band before leaving his teens. Soon, though, he found his true calling, inaugurating a career whose highlights have included arranging albums for Frank Sinatra, Ray Charles, Dinah Washington, Sarah Vaughan, and Count Basie; composing the scores of such films as The Pawnbroker, In Cold Blood, In the Heat of the Night, and The Color Purple, and the theme songs for the television shows Ironside, Sanford and Son, and The Cosby Show; producing the bestselling album of all time, Michael Jackson’s Thriller, and the bestselling single “We Are the World”; and producing and arranging his own highly praised albums, including the Grammy Award—winning Back on the Block, a striking blend of jazz, African, urban, gospel, and hip-hop. His musical achievements, in a career that spans every style of American popular music, have yielded an incredible seventy-seven Grammy nominations, and are matched by his record as a pioneering music executive, film and television producer, tireless social activist, and business entrepreneur–one of the most successful black business figures in America. This string of unbroken triumphs in the entertainment industry has been shadowed by a turbulent personal life, a story he shares with eloquence and candor.

Q is an impressive self-portrait by one of the master makers of American culture, a complex, many-faceted man with far more than his share of talents and an unparalleled vision, as well as some entirely human flaws. It also features vivid testimony from key witnesses to his journey–family, friends, and musical and business associates. His life encompasses an astonishing cast of show business giants, and provides the raw material for one of the great African American success stories of this century.

  • Sales Rank: #142833 in Books
  • Published on: 2001-10-09
  • Released on: 2001-10-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.53" h x 1.50" w x 6.40" l,
  • Binding: Hardcover
  • 416 pages

Amazon.com Review
He reached an apogee of fame in the mid-1980s as the producer-arranger of Michael Jackson's blockbuster album Thriller and the charity single "We Are the World," but Quincy Jones has been a force in American music since he was a teenager. He swung hard enough to play with beboppers like Dizzy Gillespie; he studied composition with the legendary Nadia Boulanger; he scored dozens of films and TV shows; he arranged and/or produced albums for everyone from Frank Sinatra to Leslie Gore, and rappers like Melle Mel don't disdain the old man either. Looking back at age 68 in a good-natured autobiography supplemented with brief chapters by such friends as Ray Charles and ex-wife Peggy Lipton, Jones asserts, "I've been driven all my life by a spirit of adventure and a criminal level of optimism." Given his beginnings, growing up poor in Chicago and Seattle with a mentally ill mother lurking in the background, that's quite an achievement. Jones never stood still long enough to let sorrow catch him, and though his treatment of his personal life is standard Hollywood glib ("Though Nastassja [Kinski]'s and my relationship as a couple was not destined to last, she is a great friend"), his prose catches fire when it touches on music: Dinah Washington "could take the melody in her hand, hold it like an egg, crack it open, fry it, let it sizzle, reconstruct it, put the egg back in the box and back in the refrigerator, and you would've still understood every single syllable." His furious energy may have been fueled by personal demons, but his joyous sweep through a half century of American pop convinces you that Jones was right to keep moving: "Nothing is ever wrong if it's going someplace," he asserts. "Music is about ever-changing." --Wendy Smith

From Publishers Weekly
With some chapters written by Jones, and others by his family and friends (Ray Charles and Peggy Lipton, to name a few), this (auto)biography full of behind-the-scenes anecdotes has an improvisational feel that suits its subject: a jazz musician and superstar composer. Jones came from a hardscrabble background split between Seattle and Chicago when he was still a boy, his schizophrenic mother was placed in a mental hospital for a time, and he was raised by his father and a stepmother. Jones discovered his talent for music early on, and hit the road with Lionel Hampton's jazz band when he was still a teenager. Hampton is just one of the musical greats who makes an appearance Frank Sinatra, Dinah Washington and Ray Charles are others. Jones scored his greatest musical successes during the 1970s and '80s (during which years he composed film scores and Michael Jackson's albums), but the strength of the book comes early on, when he describes the joy of his discovery of music, his early friendship with Charles and his struggles and joys as a jazz trumpeter on the road. "When I played music, my nightmares ended. My family problems disappeared." But to Jones's credit, he doesn't hold back his narrative when those problems caught up with him in the 1980s and he suffered a mental breakdown. With the help of his friends, Jones has composed a life story that gives much more than the typical celebrity memoir. (Oct.)Forecast: This title will appeal to many, including fans buying the CD boxed set, Q: The Music of Quincy Jones.

Copyright 2001 Cahners Business Information, Inc.

From Library Journal
Jones has been a celebrated jazz trumpeter, band leader, arranger, composer, producer, and business mogul. Now he can add writer to his r sum . His powerful, cinematic recollections range from his mother's mental illness, a rough childhood in Chicago, and a musical epiphany in Seattle to working with Lionel Hampton, Dizzy Gillespie, and Frank Sinatra, leading his own band through a ramshackle tour of Europe, becoming a successful writer of motion picture and television music, producing two of the biggest-selling records of all time (Michael Jackson's Thriller and the "We Are the World" charity single), and surviving two brain operations and a mental breakdown. Jones's snapshots of these events alternate with revealing sections written by his brother, ex-wives, children, and close friends (alas, no Jacko). Though gimmicky in theory, these "witness" chapters actually complement and deepen Jones's firsthand remembrances. Most problematic are the tiresome chapters devoted to his love life (he's fathered seven children by five different women) and the unfocused nature of the book's second half. These flaws, though substantial, are outweighed by the book's strengths. Recommended for most collections.
- Lloyd Jansen, Stockton-San Joaquin Cty. P.L., CA
Copyright 2001 Reed Business Information, Inc.

Most helpful customer reviews

19 of 19 people found the following review helpful.
As masterful as Quincy Jones' arrangements: A classic
By Joel L. Gandelman
The autobiography of Quincy Jones is like one of his arrangements: masterful, engaging on several levels, and state-of the-art.
Jones' life story seems MADE for a highly dramatic, award-winning t.v. or big screen movie -- and I dearly hope it'll be made into one. Musician. Producer. Businessman. Composer. Arranger. Determination and incredible talent skyrocketing him over big obstacles. It's fitting that Jones' biggest passion is music because this outstanding autobiography truly SINGS.
From the first pages, you're thrust into the drama -- and challenge -- of Jones' life. Born into a poor family, throughout most of his life (well into his adult years) Jones struggled with how to cope-with and at times how to distance himself from a mother who suffered from severe mental illness. Music became his savior and Jones embraced it like the stable motherly love which he sought and he lacked as a child. He embraced Mother Music, letting it's beauty embrace, comfort and sustain him.
There are several things that sets this book apart from other show biz bios and makes it such sheer JOY for readers of ALL ages (old fogies like me who grew up with his music as well as young folks interested in music, interested in biographies or interested in show business and the arts in general):
1.PANORAMIC STYLE. There is so much in it that we can only list a little here, such as the poignant vignette of a young, arts-smitten Jones, just discovering his musical "chops" and bonding with a blind teenage musician named Ray Charles who basically mentored and inspired him; his later associations with greats such as Sammy Davis Jr, Ella Fitzgerald, Frank Sinatra, Michael Jackson and many many more.
Jackson, he writes, "wanted to be the best of everything" so he "went to the top model in each (show biz) category to create an act and a persona that would be unequalled." But "somehow later on the line between the reality and the fantasy got blurred." In the end, Jones writes, Jackson became "a total sponge, a chamelon." Jackson practiced hours and hours to perfect every single move, gesture and facial expression.
I am haunted by Jones' portrait of Sinatra. For all the tough-guy accounts elsewhere, Sinatra comes across as a noble and principled human being -- cooking Jones breakfast when he learned that Jones stayed up all night working; insisting that African-American musicians for his Vegas concert be allowed to play and get good rooms at a casino and telling his security to do significant bodily harm to any racists who harrassed them, even the slightest bit.
2)SECOND VOICES. Not all chapters are written by Jones. He also let others write their accounts about parts of his life, and not all of this material is complimentary. This adds a documentary feel and a sense of balance that most show business autobiographies lack.
3)USEFUL OBSERVATIONS. In his chapter on Michael Jackon's rise to the top of the music heap he notes that writes that he learned that "Nobody stays at the top. Nobody." Success, he writes, is "about preparation, then finding the right
opportunity" -- and that he learned that "being chronically underestimated can be a gift."
Jone's autobiography takes you through the 20th century's top musical and show business eras, and gifts you an incredible cast of famous well-etched cameos. The depth, ease, and detail of this panoramic journey is paralleled only by his private trek -- from poverty to aspiration to success, all amid personal family tragedies. In the end, we see a man (and artist) who constantly survived and triumphed due to his humanity -- and his unceasing personal growth.

3 of 3 people found the following review helpful.
Q had an amazing ride
By R. J. Marsella
I ,like many of the reviewers below, am just blown away by the accomplishments of this man. His life in music spans decades and musical styles that makes him unique among American musicians. From Lionel Hampton to Frank Sinatra To Michael Jackson to a seemingly endless list of film and TV scores----Q has seen and done it all musically.
The book is very well written and touchingly sentimental in his recollection of deceased family members and friends. At one point I began to wonder if Q ever met a man or a woman he didn't like. He has so much that is positive to say about almost everyone he came into contact with in what is a notoriously sleezy business that I began to wonder if he was just trying to be inoffensive. I concluded at last that this guy is just blessed with a generous heart that allows him to see the best in people. His genuine love of the music and the people who make it with him just jumps off the pages.
This is an inspiring story of a man who has overcome considerable obstacles both social and physcial but has retained his essential positive energy. He is one of the all time greats.

0 of 0 people found the following review helpful.
A Good Read!
By Pam
I enjoyed this story. I also like how others in Quincy family wrote some chapters as to their thoughts!.

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Minggu, 07 Maret 2010

[H447.Ebook] PDF Ebook Introductory Digital Image Processing (3rd Edition), by John R. Jensen

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Introductory Digital Image Processing (3rd Edition), by John R. Jensen

This revision of Introductory Digital Image Processing: A Remote Sensing Perspective continues to focus on digital image processing of aircraft- and satellite-derived, remotely sensed data for Earth resource management applications. Extensively illustrated, it explains how to extract biophysical information from remote sensor data for almost all multidisciplinary land-based environmental projects. Part of the Prentice Hall Series Geographic Information Science.

  • Sales Rank: #73107 in Books
  • Published on: 2004-05-10
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x 1.50" w x 8.40" l, 3.25 pounds
  • Binding: Hardcover
  • 544 pages

From the Publisher
This text focuses exclusively on the art and science of digital image processing of satellite and aircraft-derived remotely-sensed data for resource management. Extensively illustrated, it explains how to extract biophysical information from remote sensor data for almost all multidisciplinary land-based environmental projects. Part of the Prentice Hall Series Geographic Information Science.

From the Back Cover
Explains how to apply digital image processing techniques to remotely sensed imagery, and how to obtain useful results and information during this process. It assumes a course in introductory remote sensing or air photo interpretation, college algebra, and basic statistics.

Most helpful customer reviews

15 of 18 people found the following review helpful.
Not enough content to warrant the high price
By calvinnme
This updated edition of the digital image processing text geared towards satellite-derived remotely sensed data has some good content, but like previous editions it is much too expensive for what you ultimately receive. For general digital image processing and its algorithms I really think that "Digital Image Processing" by Gonzalez and Woods provides much more quality for a lower price. Granted, this book has some GIS specific information in it that other books don't have, but I don't think that this warrants the huge price tag. The presentation is not particularly compelling either. Quite a bit of room is taken up with large tables and sample imagery rather than instruction and algorithm details. I would really suggest that someone interested in the specific problems of processing satellite imagery look at some of the online resources for the pre-processing issues unique to this field, and then look at the Gonzalez and Woods book for a much better explanation of digital image processing in general, including the pattern recognition issues of the later chapters of this book that I think are particularly poorly explained. The table of contents is as follows:

1. Remote Sensing and Digital Image Processing
2. Remote Sensing Data Collection
3. Digital Image Processing Hardware and Software Considerations
4. Image Quality Assessment and Statistical Evaluation
5. Initial Display Alternatives and Scientific Visualization
6. Electromagnetic Radiation Principles and Radiometric Correction
7. Geometric Correction
8. Image Enhancement
9. Thematic Information Extraction: Pattern Recognition
10. Information Extraction Using Artificial Intelligence
11. Thematic Information Extraction: Hyperspectral Image Analysis
12. Digital Change Detection
13. Thematic Map Accuracy Assessment

3 of 3 people found the following review helpful.
Seems cheap, Index is confusing/incomplete
By C. Wile
This book is printed on regular printer paper (not the normal glossy textbook paper). For over $100 I would expect higher quality. It makes highlighting and writing notes difficult because the color bleeds through to the other side. The index is extremely frustrating and difficult to use. When looking up topics to study for midterms I just had to scan entire chapters because page numbers were wrong entirely in the index or the topic was left out completely. If you are going to rip off students with high textbook prices, at least make sure you have a quality product.

2 of 2 people found the following review helpful.
Lots of great info
By Jocelynn Y. Cooper
This book was extremely difficult to understand. It says 'Introductory' in the title, but it is not introductory enough. It has a lot of really good information in it about the subject, but it goes right into technical stuff without explaining much, and no glossary to define new terms

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Kamis, 04 Maret 2010

[G359.Ebook] Free Ebook The New Controller Guidebook, by Steven M. Bragg

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The New Controller Guidebook, by Steven M. Bragg

The New Controller Guidebook covers every aspect of being a controller, including the management of accounts payable, cash, collections, inventory, payroll, and more. It also shows you how to close the books, which reports to issue to the management team, how to create a budget, and how to select and install an accounting computer system. There are review questions and answers at the end of every chapter.

  • Sales Rank: #1378901 in Books
  • Brand: Brand: AccountingTools
  • Published on: 2011-11-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x .80" w x 7.00" l, 1.35 pounds
  • Binding: Paperback
  • 354 pages
Features
  • Used Book in Good Condition

About the Author
Steven Bragg, CPA, has been the chief financial officer or controller of four companies, as well as a consulting manager at Ernst & Young. He has written over 50 business books, including Accounting Best Practices, Budgeting, Payroll Management, and Closing the Books.

Most helpful customer reviews

27 of 29 people found the following review helpful.
Uneven quality - some chapters excellent others confusing
By Amazon Customer
Pros
Thorough discussion of the controller's job requirements
Good examples and sample documents
Author's uncommon ability to make a relatively dry subject interesting

Cons
Later chapters missing complete explanations
Typos throughout the book
Errors in spreadsheets

This is a book I was hoping would be excellent. At a times it clearly was. It is at its best when the author methodically goes through a subject with a clear explanation of the tasks required, how to do it and then reinforces the instruction with a realistic and well thought out example. At times it breaks from this formula making it quite difficult to understand the subject matter.

Much more troubling however is the large number of errors and typos. On the one hand many of these items weren't hard to figure out. On the other hand, this is at its core a book on accounting and not having someone proof read for accuracy and accounting errors is akin to reading a book on grammar and finding numerous grammatical errors. After awhile its hard not to question the author's command of the subject as well as the credibility of the prior reviewers since the errors would be obvious to anyone really studying the book.

Some examples: Page 53 describes a journal entry to accrue revenue and record a receivable. The entry debits revenue and credits accounts receivable - accrued for 50,000. What's the problem? It should be reversed. A debit to a revenue account decreases its balance. Is does not increase it.

Page 184 the author states if there are no sales a contribution margin income statement will have a zero contribution margin. This is wrong. That would produce a negative contribution margin. A zero contribution margin is when revenues "equals" its variable costs.

Page 185 shows a sample multi-period income statement. The first quarter column shows $650,000 gross margin, $580,000 in total operating expenses and other income of $20,000 to produce net income of $50,000. There are three errors in this column alone. First, it doesn't add up. 650,000 - 580,000 + 20,000 doesn't equal $50,000. Second, the $20,000 for total other income was calculated as interest income of -5,000 + interest expense of 25,000 to arrive at total other income of 20,000. Lastly, any controller or CFO who publishes that statement will likely be in jail for tax fraud since it omits income tax to arrive at net income.

One of my favorite chapters was chapter 15 Budgeting as the author walks through all of the basic steps needed to put together a complete set of budgets for a manufacturing company. However, the financing budget shown on page 294 doesn't appear to work. I must of spent close to an hour before coming to that conclusion trying to figure out how the final ending cash balance for quarter 2 was derived.

Chapter 16 Capital Budgets was particularly frustrating. The author advocates using bottleneck analysis versus NPV for analyzing investments in capital assets. He goes into great detail how to calculate NPV but provides little analysis for his preferred method. He ends with a detailed breakout and discussion on page 310 describing a sample NPV analysis where the numbers are clearly explained. His sample bottleneck spreadsheet had no such detail. He states on page 304 that the problem with NPV analysis is that it is only useful for operating expense reduction analysis. A much different conclusion than my finance professors in business school since it models expected cash flows of various investment decisions. Therefore, I was especially intrigue why the author had a different view but no explanation was given. He may very well have a point but given the prior errors and lack of explanation one may be inclined to conclude the author is simply incorrect once again. There are many more examples of errors, typos and omissions throughout the book.

Overall, I did learn quite a lot and it was still well worth the effort to get through each chapter. My guess is that the editor fell to do his job and rigorously review and check the numbers. Errors for this kind of book are likely inevitable in the first draft. However, someone with a solid grasp of accounting and who is genuinely interested in the subject matter should of thoroughly reviewed it, which likely would of made a useful book into a great one.

6 of 7 people found the following review helpful.
Guidance for New Controllers
By Barrett Peterson, C.P.A.
The New Controller Guidebook is an excellent guide for the aspiring and new controller to plan, organize, manage, and successfully carry out his or her new role. Provides comprehensive coverage not only of what to do, but critical timing and sequence considerations for when to do it, how each element should be done, to whom to delegate required tasks and functions, how to manage the many functions, and why each is needed for the full range of controller responsibilities. This book will also serve as a frequently used reference for the more experienced controller

6 of 7 people found the following review helpful.
Exactly as described
By Brenda E. Lopez
I was hired as a first time new controller and this book is EXACTLY what I was hoping it'd be. It starts with very basic instruction on the first steps you should take your first week on the job. I'm about 70 pages into it but I already feel much more confident going into my new position.

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